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Divine Inspiration: Hans Zimmer

It says, note that our beloved leader Remote Control Camela, Hans Florian Zimmer (pictured) had serious difficulties to compose the soundtrack of Gladiator , rumor becomes true in light of admissions by composer slave on the DVD of the film itself, in the section devoted to music.

Because I am a tsunami! !

(Zimmer during her arranger PopStar Queen)

There the black legend that inspired Zimmer sitting on the toilet bowl to compose the famous song The Battle (legend that rivals the death Jordi Hurtado) and it recognizes additional content mented. In Graimito Corner we take very seriously our little work and we decided to revisit those extras DVD to ascertain the truth and answer the question, "Zimmer said composing sitting on the" throne "?

After an exhaustive search, we can conclude that the final answer, after scanning his voice and check that it is not a fan of Nightwish resentful is that NO said. Then go churro post, right?. Not really. Because Zimmer is more valuable in an interview as saying that it does not say (?). In this magnum opus of investigative journalism, we have found some pearls of wisdom from the German genius about the difficulty of writing songs for a big movie like Gladiator and most importantly, how to overcome them, in a display of self-sufficiency and " divine inspiration." Let them:

- (1.33 minutes) : "My God, composing ... [...] would be wonderful if the Oscar - he won by Lion King little - time before you give the next four bars of the next issue that you compose , because they are impossible. And you sit here and you doubt yourself and think you can not repeat that 're a fraud and you should call now the studio and say "Look for a composer d e truth "- how he likes the good of Hans laughing at myself, huh? -. And suddenly something happens. I do not know how it happens, but suddenly there is something appropriate for the film. [. ..] I have hours of material never heard anyone - why is it? - . [...] bought costumes are like a department store [...] and I'm talking about costumes as . "

- (11'05) : "We read books about Rome (?) . [...] I thought about how civilized Rome and was built on slaves, how compose a theme that embraces this duality?

As we can see, Zimmer was in a dead end. Neither he nor his "black" The Carachunga found something that sounded fairly well and it cost them the least effort . But it seems that the most prodigious minds German from Gunilla Von Bismarck were blocked. Zimmer, in view of what was going to stop, he enrolled in the course of CCC (veinteveintiunoveintidos) taught by none other than James Horner " Cheating is easy and one day had an epiphany. Surely there was something in the emulator that could be used. And it was.

ZIMMER COPY

And how. We can see here, from Minute 1:00 in duration.

"Gustav Holst? But if you do not know who it is!"

What really gives value to the interview is really irrelevant paragraphs which I have transcribed before real meaning to come to light plagiarism by Zimmer (like "And suddenly something happens. I do not know how it happens, but suddenly there is something appropriate for the film").

But the best is yet to come. Vale a composer "borrow" ideas from other, classical or contemporary, but what I find shameful is that over try to take advantage of ignorance musical theater average viewer throw flowers into the pool of talking DVDs the creative process as a costly thing, which has taken much effort to get to write something completely original . Come on, they take us for fools. Do you show? those distributions. Given Zimmer back, explain to the little shame that there are things you have to say how are you:

- (12'29) : "Referring to the" Waltz of the Gladiator "in its initial stage of composition, this is, what HE wrote rather than what you copied, "It worked well the first three seconds, but then I realized that I had embarked on an impossible task - so I decided to steal the ideas to another. But I continued with perseverance and composed this topic unbelievable. " Zimmer, confuse perseverance with Google search.

- (4'33) "About Lisa Gerrard-" It's like finding a musical soul mate, [...] has a great aesthetic sense - like me, because we are soul mates, [...] , all artists today are called, but she is a true artist , really. " Learning flowers lie technique without being fit.

- (13'09) : "No point in making a movie like Gladiator and not risk not going to limit not be reckless" . Indeed, to risk a lawsuit for plagiarism is, of course, fearless.

- (15'18) : "It's great that this film could use my own language , which is much more expressive than words [...]." Zimmer, confusing himself with others and making use again of his legendary modesty, citing, of course, their "Aditional Composers" they did much of the score, to recognize their work.

- (19'24) : "Nobody calls me as much as myself." Experiencing autoexigencia levels unknown to man, down 0.

- (19'50) : "I say, well, I've been up to par, I have not cheated my brothers. "" Zimmer ", meaning German complacency.

" Why did we live without working ... Above and pay me!

Badelt, stop feeding your grandmother dying and get to currar I have to buy pants pistachio in the Christmas sales. "

Anyway, as you can see, it embarrassing someone to do their work plagiarizing the other or "inspired" as the politically correct, more shameful is that you also want to go through fool procalamando from the rooftops how hard it was your creative process, also the lack of mention of people who do much of the work to so-called "German Genius." The trouble with talking to a camera is that things are recorded and serve to demonstrate how common (and hidden) of "divine inspiration" to have some composers of film music. Worst of all is that Hans Zimmer is a composer of talent , although often self-referential sinning and not properly credited to their "black", known to film music. Only on such occasions, do not feel like using. And to top it off, I like his music.

Saludetes

PD demagógica :¿Donde está la SGAE en estos casos?

Bonus track Zimmer y la sexualidad

-(0'25): "Pensé en hombres con faldas y sandalias y me eché a reir...[...] pensé: esto puede ser bueno".

-(11'15): "Lo que hace un compositor es desnudarse continuamente, [...] permitir que los demás vean sus secretos profundos y ocultos ".

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Mexicanas Filmadas Follando

Masterpieces: Squadron Supreme Mark Gruenwald (II)

Hi all,

continue where we left off in the previous post dedicated to this maxiserie that Panini has collected in two little volumes, Masterpieces: Squadron Supreme Mark Gruenwald (I)

As noted in the previous post, the Squadron Supreme began as a mere imitation of the Justice League of America with sole purpose of confronting them with the Avengers and other Marvel Universe supergroups almost always under the pretext mental control. It is the late Mark Gruenwald who one day decide that this training is ideal for telling a great story that needs to ensure its impact, free use of its characters, without the constraints to which you have narrated had faced the same story with The Avengers.

Gruenwald is proposed to test the ideal comic book superhero himself pijameros putting the best (and only) Earth's heroes in the position of having to save the world from a state of pure chaos ( with famine and war) that, in addition, they themselves have caused. How to face this situation? Will right decisions?. Answers, a few lines below.

From here there may be spoilers

The Squadron Supreme is now at its lowest. The Earth is in chaos because of the tyranny to which humanity underwent while under the control of the Overmind, besides its glorious past satellite (which, like the Justice League, he served as base of operations) is crumbling into the earth without any remedy. It is at this precise point where the story starts we tell the volumes, with a squadron in decline, with torn uniforms, failing in his attempt to save the satellite. After that, the group meets and, given the situation, decide on a proposal from the Princess Power, take charge of the United States temporarily to stabilize the country and bring it to the highest levels of prosperity and civilization ever created. To do this, aim to launch the "Project Utopia" based on the conception of the world with the race of Princess Power, is to eradicate hunger, poverty, guns, disease and even death itself. Mark Gruenwald says the whole process on this project over the miniseries, from the exciting beginning to the problems that arise in their development, just for the reader to assess every step Squadron in its desire to control everything for the good of humanity. It is therefore a very human story, even though their characters are just "supreme." The relationship with the power and use it can be revealed as we humans are fallible and, by extension, the superhuman, not without our own shortcomings.

Now, how to tell a human story with characters so stereotyped and flat?. The answer is obvious, making three-dimensional. In the first issue, the skillful writer does everything necessary for us to grasp the depth of the squad and the world in which they live. Thus, we show that the group has a past (the Golden Agency, in correspondence with the Justice Society of DC) and that times have changed since then. In a few pages outlining skill and expertise with the character and personality of the main members of the Squad: the self-confidence of Hyperion, Zarda moral superiority, the frivolity of Dr. Spectrum, insecurity Buzzer or strong opposition from Falcon Night at the Utopia project, arguing that control the world, even to improve it is to end the American people's liberty.

Mark Gruenwald Once you get to completely forget everything you read before about the squad and have a panoramic view of the situation, the conflict will set the main plot of the maxiserie: the conflict between Nighthawk Squadron, is a clear precursor of the dilemma posed in Civil War: subjection under greater good vs. freedom. However, this is the background against which the story, but it is the only message that we send this work, which takes the opportunity to explore the more human flaws, as the frustration of unrequited love, jealousy, or simply the desire for a better life at any price, fixing them in some members of the squad that will serve as illustrative examples.

The emergence of the "machine behavior, which can alter the behavior of criminals to become good people allowed to explore more and better Gruenwald Mark Millar Civil War in the eternal debate between security and freedom with more powerful and convincing arguments for both sides, without falling into the mistake of giving a moral reason (the Anti-Registration side CW was clearly "good", since not only Iron Man Thor clone to treason, contains Heroes in the Negative Zone and hires supervillains, but is charged a hero on the other side, which the Cap's does not even remotely).

Non-gutting anything, I strongly recommend these two volumes and I ask a little patience in reading, as there is somewhere toward the last third of the story lacks pace, but it's worth only through its glorious end. And yes, I say well, GLORIOUS. While most of the time enjoyed a good story trip along the maxiserie Squadron achieved not only surprise you as a reader at the end, but thus give meaning to all previously read.

On the drawing, the truth is that there is not much to say. The task of Bob Hall and Paul Ryan is quite irregular and it is true that the potential of this comic is not in its visuals, though it is just right most of the time.

In summary, we can say that the Squadron Supreme is a work round where you can find characters with something to say, a story that poses dilemmas for the reader (not writer) and intensity values apotheosis that puts an end to clear the consequences of all gem anterior.Una not too well known by readers who are not veterans.

Regards

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